I got the #1 internet video of the decade!
Prodigy’s “Mac 10 Handle”
I’d like to thank Prodigy, the fans, and most of all… oh wait this ain’t the damn VMA’s!
Thank you Complex magazine for validating my career…hahaha
#1: Prodigy “Mac 10 Handle” (2006)
The clip that arguably started the whole low-budget internet video craze also happens to be the best. After the disaster of Mobb Deep’s G-Unit debut Blood Money, many of the group’s fans were starting to wonder if Hollywood Hav and V.I.P. had lost their gritty NYC-essence for good. But after linking up with director Dan “The Man” Melamid to make this horrific video—filled with smoke, Henny, Satan and a bloody round of couch-stabbing—there was no question that P was going to deliver on Return of the Mac.
Player Watch: Video Director, DanTheMan
Video director “DanTheMan” has stepped behind the lens to create hip-hop DVD’s and videos for 50 Cent, Young Buck and AZ. After directing several highly-acclaimed straight to YouTube videos for Prodigy’s Return of the Mac CD, DanTheMan is definitely a Player to Watch for in 2007.
While the name DanTheMan may not be as familiar as Hype Williams or Benny Boom, the Jersey City native has actually been in the business of hip-hop for most of his life.
“The first video I did was for M.O.P. for their rock album on Koch three or four years ago,” Dan said, before reaching back over a decade to recall his early days in entertainment. “When I started I was a dotcommer, I worked at 88hiphop [.com]. My background is audio engineering, that’s how I started in the rap game. I never went to college, I went to school for audio engineering at IAR, but I went there pre-Pro Tools. When I got outta there I was just looking for jobs and I ran across the dotcom thing, so I did that.”
After the dotcom bubble burst, Dan bought a video camera. His years at the website had given him experience with streaming video and video production, making him well equipped to produce dvds. Soon after, while working for Game Recordings, Dan met his future business partner, DJ Whoo Kid.
“Whoo Kid and I were doing the same thing on the interview tip. We started going around hanging out with artists. He got an interview with Snoop, I got another one with Nelly, and so on. We did Rewind, the hip-hop DVD magazine, it was like one of the first hip-hop DVD’s that did well. That was my first hip-hop video project that started getting me attention. It debuted at #34 on the Billboard independent charts and we put it with an audio component. That was the number one independent release for like three weeks straight,” Dan recalled.
Dan next joined the “Roc the Mic Tour,” filming behind the scenes footage and began working with G-Unit regularly. In addition to adding interview, documentary and a/v components for Young Buck and Tony Yayo projects, Dan was asked to help out with 50 Cent’s The Massacre.
“50 had this idea to do these low budget videos for every song on the album…Like 7 of the videos were basically just me, 50 and my camera and editing. After that did well, I started doing a lot of videos. I created a formula where I could do these videos by myself and make them look like I didn’t do them by myself. Throughout the years the formula evolved and the budgets progressed from nothing to something and basically now people are hiring me because they know they could get a bang for their buck and they can get a video on a level that you probably can’t get for $50,000,” Dan revealed.
His formula came in handy this year while directing numerous videos for Prodigy’s Return of the Mac which were posted straight to YouTube. Chief among these was the horror flick inspired “Mac 10 Handle.”
“I feel like “Mac 10 Handle” ushered in this new YouTube video revolution. I’m not taking full credit for it. It’s also Prodigy. Me and Prodigy sat down and we did it and within months all these other YouTube videos started popping up,” Dan said.
“The internet is a great medium because I see the love and the hate right away. I used to be a dotcommer so I go on those forums and I see what people are saying. I love it, I live for it. It’s great to have that direct response with the fans to see exactly how much they hate me or how much they like me. Sometimes it’s scathing hate and sometimes it’s super love.”