New York Times

… then he thought of his youngest son, Daniel, a video director known in the rap music business as Dan the Man. At the time Dan the Man was working for 50 Cent’s G-Unit label, making the videos for “The Massacre (Special Edition).” He arranged for his business partner, DJ Whoo Kid — 50 Cent’s D.J. — to visit Mr. Melamid’s studio, then in SoHo, to pose for a trial portrait.
After that, 50 Cent paid a visit. He sat in a chair, rapping, while Dan the Man shot video and Mr. Melamid made preparatory sketches and photographs. The resulting portrait, which Mr. Melamid said took about a month to figure out, shows the rapper slouched in the chair, looking slightly wary. (The work, together with Mr. Melamid’s brush and palette, appear in the video for 50 Cent’s “God Gave Me Style.”) …

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SOHH.com – Player To Watch For in 2007


Player Watch: Video Director, DanTheMan
Video director “DanTheMan” has stepped behind the lens to create hip-hop DVD’s and videos for 50 Cent, Young Buck and AZ. After directing several highly-acclaimed straight to YouTube videos for Prodigy’s Return of the Mac CD, DanTheMan is definitely a Player to Watch for in 2007.

While the name DanTheMan may not be as familiar as Hype Williams or Benny Boom, the Jersey City native has actually been in the business of hip-hop for most of his life.

“The first video I did was for M.O.P. for their rock album on Koch three or four years ago,” Dan said, before reaching back over a decade to recall his early days in entertainment. “When I started I was a dotcommer, I worked at 88hiphop [.com]. My background is audio engineering, that’s how I started in the rap game. I never went to college, I went to school for audio engineering at IAR, but I went there pre-Pro Tools. When I got outta there I was just looking for jobs and I ran across the dotcom thing, so I did that.”

After the dotcom bubble burst, Dan bought a video camera. His years at the website had given him experience with streaming video and video production, making him well equipped to produce dvds. Soon after, while working for Game Recordings, Dan met his future business partner, DJ Whoo Kid.

“Whoo Kid and I were doing the same thing on the interview tip. We started going around hanging out with artists. He got an interview with Snoop, I got another one with Nelly, and so on. We did Rewind, the hip-hop DVD magazine, it was like one of the first hip-hop DVD’s that did well. That was my first hip-hop video project that started getting me attention. It debuted at #34 on the Billboard independent charts and we put it with an audio component. That was the number one independent release for like three weeks straight,” Dan recalled.

Dan next joined the “Roc the Mic Tour,” filming behind the scenes footage and began working with G-Unit regularly. In addition to adding interview, documentary and a/v components for Young Buck and Tony Yayo projects, Dan was asked to help out with 50 Cent’s The Massacre.

“50 had this idea to do these low budget videos for every song on the album…Like 7 of the videos were basically just me, 50 and my camera and editing. After that did well, I started doing a lot of videos. I created a formula where I could do these videos by myself and make them look like I didn’t do them by myself. Throughout the years the formula evolved and the budgets progressed from nothing to something and basically now people are hiring me because they know they could get a bang for their buck and they can get a video on a level that you probably can’t get for $50,000,” Dan revealed.

His formula came in handy this year while directing numerous videos for Prodigy’s Return of the Mac which were posted straight to YouTube. Chief among these was the horror flick inspired “Mac 10 Handle.”

“I feel like “Mac 10 Handle” ushered in this new YouTube video revolution. I’m not taking full credit for it. It’s also Prodigy. Me and Prodigy sat down and we did it and within months all these other YouTube videos started popping up,” Dan said.

“The internet is a great medium because I see the love and the hate right away. I used to be a dotcommer so I go on those forums and I see what people are saying. I love it, I live for it. It’s great to have that direct response with the fans to see exactly how much they hate me or how much they like me. Sometimes it’s scathing hate and sometimes it’s super love.”

50 Cent – The Massacre

I produced, shot, directed and edited the visual component to 50 Cent’s second multi platinum album: The Massacre.
These 8 Music videos were shot Shot on multiple formats from Super16 to Mini DV.
The combination of all these videos amassed hundreds of millions of hits on Youtube until Universal/Interscope sued them, and they did a massive “cleaning” of their “unlawful” content.



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